On the Cutting-Out of Cardboard
When I wrote Johnny Pseudonym and the Noms de Plume back in November 2003, one of the things which most frustrated me during (and after) the writing process was my characterization of some of the players. Or, really, the lack of good characterization. Some of the characters felt very alive to me — Johnny, Kat, Vi, Bronson — and they were a lot of fun to write and, later, read. But some of the characters weren’t alive. Weren’t any fun.
The cardboard cut-out. The character who is filling a spot and stating a position just because I need someone to be there and say that. Motivation? Unclear. Attitude, personality? Poorly sketched if not wholly non-existant. These are unsatisfying characters to write because I don’t know who they are. I don’t know much about them. I don’t like them. I don’t even dislike them. They don’t have a cohesive persona to like or dislike.
This year, I’m feeling that with Principal Peggy Francis. She’s suddenly Tom’s antagonist, but I feel like I’ve created a mild and not even terribly sensible clash between them — why did she react the way she did, and why did he first play it nice and then get aggressive? What is she after?
But she’s not a major character. I’m not getting hung up on it. At least that’s what I’m telling myself. For the second draft, when I know how this is all supposed to pan out, then I’ll sit down and build (or rebuild) Peggy. The back-and-forth between her and Tom will get sharp and tactical, whereas now it’s just muddy and improvised and weak. Or at least that’s how it feels.
And is Tom just a big weenie or what? I know this guy has some passion and some resolve, and that will come out in some of the future plot I have planned, but right now he’s coming off as pretty petulant. Out or not out? I care! No, wait, I don’t care! Waaah! I mean, c’mon, Tom. Grow a thicker skin.


